Lift me up,
From my pain and sorrow.
Lift me up
Towards the sky.
Lift me up
To my Lord and Savior.
Lift me up
On the day I die.
Lift me up,
From my pain and sorrow.
Lift me up
Towards the sky.
Lift me up
To my Lord and Savior.
Lift me up
On the day I die.
I listen to KNON a lot. Partially, because I’m the President of the Board of Directors and mostly because I like the music we play (pledge drive coming up in May – get your online pledges in early!) In fact, I’m President because I like what we play.
So, when I was coming home from my check-up this morning, I had KNON on the radio. Gregg Smith’s Blues Review, to be specific. (Every Friday, nine until noon. Heeeey.)
We play a lot of blues, and the longer you listen, the more you realize pretty much all blues is about sex, unless someone just died in the song. I was listening to someone moaning about not riding in his girl’s automobile this morning and after a couple of verses, I realized “He’s not really talking about her car.” Well, duh.
I’m sitting at a stop light, and I had just had this realization, and I thought “Blues artists can make anything into a sexual euphemism.”
There’s a basic blues premise “I don’t want to be your ——–, baby.” where the blank turns out to be the song’s specific euphemism for some sexual organ. That’s when I heard “I don’t want to be your pastrami, baby” in my head (yes, I probably should see someone about that.)
Then, a flash. Who’s ever written a blues song about a deli?
I thought, “There would have to be a verse about pastrami and rye bread. What else? A pickle. How could a pickle sound dirty?”
I know you love dill pickles.
But don’t you grab my pickle spear.
My woman said that ain’t kosher,
You better not come ’round here.
That came to me almost as it was written. Same with the verse about pastrami. Other than not being able to find a rhyme for “rugelach” or “knish”, the song almost wrote itself. Based on the quality of the final work, it did write itself, because that way, I won’t get blamed for it.
Inspiration strikes in truly bizarre ways at truly random times.
I’m not your pastrami, little baby.
I’m not your pastrami tonight.
I really love your rye bread,
But my woman’s gonna fight.
I’m not your bagel, little baby,
I’m not your bagel, little fox.
I really love your cream cheese,
But my woman’s changed the lox.
I love you little baby,
I want your sweet relief.
But if I’m not home this evening,
My woman will corn my beef.
I know you love dill pickles.
But don’t you grab my pickle spear.
My woman said that ain’t kosher,
You better not come ’round here.
Editor’s Note: What would happen if some old bluesman from the Delta had actually made a lot of money before he died, and not just after some British guy covered one of his songs?
First Class Blues
I’m sufferin’, Lord, I’m near the end.
I’m sufferin’, Lord, I’m near the end.
I’m in an aisle seat, no window,
And their only Scotch is just a blend.
Please come save me, Lord, from this storm.
Please come save me, Lord, from this storm.
My mixed nuts are mostly almonds,
And those are barely warm.
Help me, Lord, I feel a fool.
Help me, Lord, I feel a fool.
There’s no mo’ steak, there’s only chicken.
And the cold shrimp cocktail’s barely cool.
Steel me, Lord, for my final stand.
Steel me, Lord, for my final stand.
My wine was spilled and sticky,
And there’s no hot towels to cleanse my hand.
Save me, Lord, I must repeat.
Save me, Lord, I must repeat.
I went down to the crossroads,
But at twenty-seven thousand feet.
Hear me, Lord, I’m sore afraid.
(I said) Hear me, Lord, I’m sore afraid.
I used up all my coupons,
This was my last upgrade.